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Here we'll keep you up to date with news of our design activities - but also with details of exhibitions, events and artists who we're being inspired by.

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Sutton & Hearld at Home April 10 2017

Artists Emily Sutton and Mark Hearld will soon open their doors again as part of the 2017 York Open Studios event.

Running over the last two weekends of April, Emily will exhibit a selection of new paintings, drawings and prints while Mark has created a series of new mixed-media collages, limited edition prints, hand-decorated slipcast cockerels and painted platters.

Emily Sutton and Mark Hearld's Open Studios, 104 The Mount, York YO24 1AR on 21st (6-9pm), 22nd (10am-6pm) and 23rd (11am-5pm) April 2017 and again on 29th (10am-6pm) and 30th (11am-5pm) April 2017.

You might also like to view Mark and Emily's fabrics and wallpapers for St Jude's.

Wood Pigeon by Mark Hearld

Mark Hearld 'Wood Pigeon' mixed-media collage, 2017

Allotment with Cardoons by Emily Sutton

Emily Sutton 'Allotment with Cardoons' watercolour, 2017

Crows by Mark Hearld

Mark Hearld 'Crows' mixed-media collage, 2017

Swans on the Seine by Emily Sutton

Emily Sutton 'Swans on the Seine' watercolour, 2017

Cockerel by Mark Hearld

Mark Hearld 'Cockerel' slipcast and hand-decorated, 2017

Glass House Jardin des Plantes by Emily Sutton

Emily Sutton 'Glass House, Jardin des Plantes' watercolour, 2017

Mandarin Duck by Mark Hearld

Mark Hearld 'Mandarin Duck' mixed-media collage, 2017

Pont Neuf Finches by Emily Sutton

Emily Sutton 'Pont Neuf Finches' watercolour, 2017

A Printmaker’s Journey February 26 2017

Posted by Angie Lewin

I'm delighted to share news of a forthcoming exhibition that I have curated for Hampshire Cultural Trust, A Printmaker's Journey, which opens in Winchester on Saturday 11th March and then tours Hampshire until early November 2017.

A Printmaker's Journey includes work selected from a wide range of disciplines and periods which will lead the visitor through the inspirations and affinities which have influenced my journey as a printmaker and designer. Paintings, textiles, prints, posters and ceramics by artists and designers including Eric Ravilious, Edward Bawden, Mark Hearld, Alan Reynolds, Emily Sutton and Paul Morrison will be displayed alongside work from various stages of my career.

I'll be at The Gallery, Winchester Discovery Centre on and off throughout the opening day, Saturday 11th March. I hope that you might be able to visit. Find out more

For those of you further afield, over the next few months I'll share details of some of the works selected and their significance to me. Keep an eye on my Instagram and Facebook pages for updates.

A Printmaker's Journey runs from 11 March – 30 April 2017 at The Gallery, Winchester Discovery Centre then tours until early November 2017. Find out more

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Angie Lewin 'Sollas Sands' linocut, 2015

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Edward Bawden 'The Road to Thaxted' linocut, 1956

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Lizzie Farey 'Almost Spring' woven willow, 2017
(photograph by Shannon Tofts)

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Eric Ravilious King Edward VIII Coronation Mug, 1937 (originally designed in 1936)

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Angie Lewin 'Festival Mug' lithograph

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Emily Sutton 'Olive Cook's Settle' watercolour, 2013

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Edward Bawden 'Church and Dove' wallpaper, 1925

Sussex Modernism at Two Temple Place February 06 2017

Looking forward to visiting the latest exhibition at Two Temple Place in London where Sussex Modernism - Retreat and Rebellion has just opened.

Created by the Bulldog Trust in partnership with nine museums and galleries based in Sussex (including Ditchling Museum of Art + Craft, Charleston, De La Warr Pavillion, Towner Art Gallery and Pallant House Gallery) the exhibition examines why artists and writers were drawn to the rolling hills, seaside resorts and villages of Sussex in the first half of the 20th century, creating artistic communities whose innovations developed alongside political, sexual and domestic experimentation.

Curated by Dr Hope Wolf, Lecturer in British Modernist Literature and co-Director of the Centre for Modernist Studies at the University of Sussex, the exhibition runs until 23rd April 2017. Visit the Two Temple Place website for opening times.

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David Jones The Garden Enclosed, 1924
Oil paint on canvas © Tate, London 2015

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John Piper View of Chichester Cathedral from the Deanery, 1975
Ink, watercolour and crayon on paper © The Piper Estate / DACS 2016

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Eric Gill Icon (for Divine Lovers), 1923
Courtesy of the Ditchling Museum of Art + Craft

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The Lost Watercolours of Edward Bawden November 06 2016

Widely admired today as an illustrator and printmaker, Edward Bawden (1903-89) is hardly a ‘forgotten artist’. Yet one aspect of his career has been neglected until now: his role in the 1930s as a critically-acclaimed modern painter.

The Lost Watercolours of Edward Bawden sets the record straight by bringing together the largest collection of the artist’s pre-war watercolours ever assembled. Most were originally exhibited at one or other of Bawden’s major solo shows – at the Zwemmer Gallery in 1933 and the Leicester Galleries five years later – exhibitions that impressed critics and delighted collectors. Continues below...

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It has taken three years to assemble this remarkable collection of pictures, many of which were, as the title of the book suggests, lost. The remarkable quest to find and identify Bawden’s pre-war watercolours is described by publisher Tim Mainstone in an amusing, informative essay, which forms the third part of this richly illustrated volume. James Russell, author of the popular series ‘Ravilious in Pictures’, contributes an introductory essay exploring Bawden’s life and career in the 1930s.

The watercolours themselves are grouped by exhibition, with additional sections of works from the mid-30s and from the decade’s end.

Find out more about The Lost Watercolours of Edward Bawden and purchase a copy from our St Jude's Prints website.

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Michael Kirkman October 14 2016

'Time Was Away', an exhibition by painter and printmaker Michael Kirkman, opened in Inverness last week and continues until 29th October 2016. The exhibition features a body of new paintings, drawings and limited edition prints. Michael explains...

"The work is an ongoing exploration into how the figure in art can suggest and communicate thoughts we all have. They can appear dreamlike at times, but I strive for the old meaning of surreal rather that the confusing and often over stylised interpretation that became fashionable in the post war years. I always work from memory, so often the images come from a real moment. I try to illustrate and make that feeling or sense of time and place available to look at in my pictures. I am very interested in the new Glasgow boys and in particular, the work of Steven Campbell, and also the general tradition of figurative work in Scotland with greats including Robin Philipson, the two Roberts, John Bellany and Joan Eardley.”

Having studied at Edinburgh College of Art, Michael Kirkman graduated from an MA course at the Royal College of Art, London in 2010. His inspiration comes from a need to communicate moments in time that seem strange or extraordinary, to capture what goes unnoticed. Some important influences include Eduardo Paolozzi, Mimmo Paladino, Balthus, Edward Burra and Jonathan Gibbs.

'Time Was Away' continues at The Castle Gallery, 43 Castle Street, Inverness IV2 3DU until 29th October 2016. View the online catalogue

We have a selection of Michael Kirkman's limited edition prints available over at our online gallery and Michael will join us in London from 23rd November until 4th December 2016 for our latest St Jude's In The City exhibition at The Bankside Gallery.

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Michael Kirkman 'Icarus's Wing' oil on board (48cm x 60cm)

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Michael Kirkman 'Rest from the Sea' pencil drawing (57cm x 69cm)

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Michael Kirkman 'On The Wrong Way' oil on board (48cm x 49.5cm)

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Michael Kirkman 'Weekday' linocut (41cm x 50cm)

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Michael Kirkman 'Propeller Boy' pencil and oil pastel (40cm x 30cm)

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Michael Kirkman 'Pablo's Cat' oil on board (48cm x 64cm)

Mark Hearld in Edinburgh September 23 2016

Opening in Edinburgh on the 5th of October is Collage, Pigeons and Platters, Mark Hearld’s first solo exhibition of new work following his critically acclaimed curated exhibition The Lumber Room: Unimagined Treasures which opened the recently refurbished York Art Gallery in 2015.

The exhibition continues to explore his love of the British countryside, a recent trip to Shetland and Orkney and his continuing curiosity for objects with a magpie approach to collecting in this new collection of collages, limited edition prints and hand-painted ceramics.

Talking of his collages, Mark explains…

“Collage as an approach is at the core of my work. It enables me to pull together a whole range of surfaces and textures to dynamic effect. It is inherently abstract; each bird silhouette is also a cut out piece of paper and the paper profile is very important to the overall effect.”

Visitors to the exhibition will also have the chance to see a selection of Mark’s fabrics and wallpapers for St Jude’s.

The digital catalogue for the exhibition can be viewed online now.

Collage, Pigeons and Platters runs from 5th-29th October 2016 at The Scottish Gallery, 16 Dundas Street. Edinburgh EH3 6HZ.

We're currently working on a Random Spectacular journal dedicated to Mark's The Lumber Room: Unimagined Treasures exhibition in York. To find out more nearer to publication, subscribe to our St Jude's Prints newsletter.

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The Shetland Times, 2016, mixed media with collage on paper, 56 x 75 cms

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Grey Partridge, mixed media with collage on paper, 40 x 40 cms

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Mark Hearld working in the studio

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The Shetland Ewe, 2016, mixed media with collage on paper, 56 x 75 cms

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Heron, 2016, mixed media with collage on paper, 56 x 75 cms

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Flight Platter, hand-painted ceramic, D:38 cms

Clive Hicks-Jenkins September 11 2016

Artist Clive Hicks-Jenkins is currently exhibiting a series of new works at the Martin Tinney Gallery in Cardiff.

Perhaps best know as a painter, Clive has recently been creating a series of limited edition screen prints, working with Dan Bugg of The Penfold Press.

The duo are currently working on a series of prints based on the theme of Gawain and the Green Knight, which was vividly translated for the 21st century by Simon Armitage.

The exhibition features the prints created to date alongside paintings and drawings.

Looking at 'The Green Knight Arrives' author James Russell explains...

"Clive looks beyond the poetry to explore the character and cultural implications of Gawain’s nemesis, in an intense portrait of mingled power and vulnerability. The upper body of the Green Knight fills the frame, his statuesque head and massive arm suggesting the might of an ancient god – but in a sensitive pose reminiscent of Rodin. That flowing beard hints at the graphic gravitas of a playing card king; look again and it is a river flowing through a tattooed forest. Our 21st century Green Knight is a modern primitive, whose identity is etched into his skin."

We were delighted that Clive contributed a series of illustrations to our second Random Spectacular journal and we're currently working on an expanded version of his interpretation of the Hansel & Gretel fairy tale which we will publish in November. Sign up for our Random Spectacular newsletter for details of this.

We'll also exhibit a selection of Clive's prints, in association with The Penfold Press, at our next St Jude's In The City exhibition at the Bankside Gallery in November.

Gawain and The Green Night: Clive Hicks-Jenkins and The Penfold Press continues until 1st October 2016 at Martin Tinney Gallery, 18 St Andrew's Crescent, Cardiff, CF10 3DD. Find out more

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'The Green Knight's Head Lives' by Clive Hicks-Jenkins
Gouache and pencil on board, 55cm x 55cm

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'The Green Knight Arrives' by Clive Hicks-Jenkins
Screenprint, 55cm x 55cm

Original works by Mark Hearld and Emily Sutton August 04 2016

As part of our Editions & Objects exhibition at Yorkshire Sculpture Park we have included a selection of original works by artists Mark Hearld and Emily Sutton which we're pleased to share below.

If you'd like to discuss the purchase of any of these framed originals, please contact Yorkshire Sculpture Park by telephone on 01924 832631.

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Mark Hearld 'Swan Flight' original collage
Paper size: 75 x 56cm Framed size: 92 x 72cm £950.00 (see photographs below for framing style)

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Emily Sutton 'Comptoir de la Gastronomie, Paris' original ink and watercolour
Paper size: 48 x 38cm Framed size: 65 x 56cm £725.00

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Mark Hearld 'Hooded Crow, Hadrian's Villa' original collage
Paper size: 75 x 56cm Framed size: 92 x 72cm £950.00 (photographed here in situ at YSP)

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Mark Hearld 'Le Meridiana Wild Boar' original collage
Paper size: 75 x 56cm Framed size: 92 x 72cm £950.00 (photographed here in situ at YSP)

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Emily Sutton 'La Chapellerie, Paris' original watercolour
Paper size: 48 x 38cm Framed size: 65 x 56cm £725.00