Nature Table - an exhibition in London August 27 2018
St Jude's return to the Town House in Spitalfields for Nature Table, an exhibition of recent work plus new fabric and wallpaper designs by Angie Lewin and Emily Sutton, our latest St Jude's In The City event.
Nature Table will explore the work of these two prolific artists and designers who create work across a variety of mediums, sharing an interest in the natural world. Both Angie and Emily spend much of their time on location, recording the flora and landscapes that inspire them, often collecting reference material which will be assembled back in the studio.
The exhibition will feature a selection of limited edition prints by both artists alongside unique collages by Angie and watercolours by Emily.
As part of London Design Festival and Shoreditch Design Triangle, the event will also see the launch of new fabrics and wallpapers by both artists, adding the growing range of artist-designed fabrics that St Jude's have been producing since 2005.
If you'd like to receive details of the original works that Angie and Emily will be exhibiting, please subscribe to our gallery newsletter.
Dates: Wednesday 19th until Sunday 30th September 2018
Open: Monday to Saturday from 11am – 6pm and Sunday 11.30am – 5.30pm
Address: The Town House, 5 Fournier Street, London, E1 6QE
Angie Lewin 'The Gardener's Arms' linocut
Emily Sutton 'Dunwich Beach' watercolour
Angie Lewin working in the studio on her forthcoming 'Clover' fabric and wallpaper for St Jude's
Emily Sutton 'Nest' hand coloured print
Angie Lewin's 'Clover' fabric for St Jude's
Emily Sutton's 'French Flowers' fabric for St Jude's
Barnett Freedman January 19 2017
Posted by Angie Lewin
I'm currently curating an exhibition which will open at Winchester Discovery Centre on Saturday 11th March 2017. A Printmaker's Journey will then tour Hampshire until the end of November.
The exhibition will include work selected from a wide range of disciplines and periods which have in some way influenced my work as a printmaker and designer. Paintings, textiles, prints, posters and ceramics by artists and designers including Eric Ravilious, Edward Bawden, Alan Reynolds and Paul Morrison will be displayed alongside examples of my own work.
Full details of the exhibition will be announced soon - do subscribe to my newsletter if you'd like to find out more.
I'll be including two works by artist and illustrator Barnett Freedman, a contemporary of Bawden and Ravilious.
Over at Spitalfields Life, author David Buckman takes a look at the work of this prolific artist and illustrator...
"Barnett Freedman is among my top candidates for a blue plaque, as one of the most distinguished British artists to emerge from the East End. There was a 2006 campaign to get him one in at 25 Stanhope St, off the Euston Rd, where he lived early in his career, but English Heritage rejected him, along with four others as of “insufficient stature or historical significance” – an unjust decision exposed by the Camden New Journal. The artist and Camden resident David Gentleman was one among many who supported the plaque, writing “He was a very good and original artist whose work deserves to be remembered. He influenced me in the sense of his meticulous workmanship. He was a real master of it.” Read David Buckman's article in full
A portrait of Barnett Freedman
Advertisement for Shell, 1951.
Barnett Freedman’s ‘Claudia’ typeface.
Lithographs for ‘Oliver Twist,’ published by the Heritage Press in New York, 1939.
Barnett Freedman works courtesy Special Collections, Manchester Metropolitan University
Rena Gardiner at MMU October 15 2016
Manchester Metropolitan University's Special Collections are currently hosting an exhibition dedicated to the work of Rena Gardiner.
Rena Gardiner (1929-1999) spent her life entirely devoted to her art, creating books, prints and paintings. She is best known for a series of guidebooks to historic places, buildings and the countryside, each of which she wrote, printed and illustrated herself. This exhibition will include some of these guidebooks alongside paintings, pastels, linocuts and sketch-books and a display of work by some of the artists who influenced Rena including Eric Ravilious, John Piper and Edward Bawden.
The exhibition is based upon the book Rena Gardiner: Artist and Printmaker by Julian Francis and Martin Andrew, published by Little Toller Books in association with the Dovecote Press, 2015.
Rena Gardiner: Artist and Printmaker at MMU Special Collections runs until 18th November 2016. Visit their website for full details
Mark Hearld in Edinburgh September 23 2016
Opening in Edinburgh on the 5th of October is Collage, Pigeons and Platters, Mark Hearld’s first solo exhibition of new work following his critically acclaimed curated exhibition The Lumber Room: Unimagined Treasures which opened the recently refurbished York Art Gallery in 2015.
The exhibition continues to explore his love of the British countryside, a recent trip to Shetland and Orkney and his continuing curiosity for objects with a magpie approach to collecting in this new collection of collages, limited edition prints and hand-painted ceramics.
Talking of his collages, Mark explains…
“Collage as an approach is at the core of my work. It enables me to pull together a whole range of surfaces and textures to dynamic effect. It is inherently abstract; each bird silhouette is also a cut out piece of paper and the paper profile is very important to the overall effect.”
Visitors to the exhibition will also have the chance to see a selection of Mark’s fabrics and wallpapers for St Jude’s.
Collage, Pigeons and Platters runs from 5th-29th October 2016 at The Scottish Gallery, 16 Dundas Street. Edinburgh EH3 6HZ.
We're currently working on a Random Spectacular journal dedicated to Mark's The Lumber Room: Unimagined Treasures exhibition in York. To find out more nearer to publication, subscribe to our St Jude's Prints newsletter.
The Shetland Times, 2016, mixed media with collage on paper, 56 x 75 cms
Grey Partridge, mixed media with collage on paper, 40 x 40 cms
Mark Hearld working in the studio
The Shetland Ewe, 2016, mixed media with collage on paper, 56 x 75 cms
Heron, 2016, mixed media with collage on paper, 56 x 75 cms
Flight Platter, hand-painted ceramic, D:38 cms
Katy Hackney September 22 2016
We're delighted that jeweller Katy Hackney is taking part in our current Editions & Objects exhibition at Yorkshire Sculpture Park which runs until the end of October 2016.
For the exhibition Katy has created a limited edition of ten box wood pendants, each individually decorated and numbered.
Born in Dundee and now based in London, Katy Hackney received a BA at Edinburgh College of Art and a MA at the Royal College of Art, London. Continues below...
Hackney’s practice is driven by the materials she’s excited by. Materials she uses include woods, plastics, precious and non-precious metals, found objects, paint, formica and enamel. Her current influences include vintage toys and folk art.
Her work can be seen in the permanent collections of the London Crafts Council, Montreal Museum of Decorative Arts, Royal Museum of Scotland, Edinburgh, and the Ulster Museum, National Museum of Northern Ireland.
We took the opportunity to find our a little more about Katy's work and current activities...
Can you tell us how to came to designing wearable works of art?
When I left the RCA I set up in business and designed and made more commercial production silver jewellery which sold well but it was tedious work.
Then I discovered cellulose acetate which spectacle frames are made from, began to experiment with it, and my work became larger and more colourful and I became interested in finding other materials to use, such as wood, Formica, other found plastics… colour! Continues below...
You also teach at Central St Martins; how does this impact on the type of work you create?
I don’t notice that it does, something must seeping in?
It does keep me up to date with what is going on the jewellery world as we have a great programme of lectures.
I enjoy passing on knowledge and working with students from all over the world, and working with an amazing team.
What are your major influences?
Everyday things, I often get an idea from something I see in the street on my journey to college or on holiday or trips abroad.
I use my Instagram account as my visual diary, I often go back to it and print out photos of textures, colour combinations, shapes.
Working on lots of other things also feeds in to my work.
I love old toys and objects with a 'story' showing in their wear and tear - doors, tiles, tools and peeling paint.
What is a typical day for you?
My days are fairly varied. As well as teaching I work with knitwear designer Jo Gordon as colour consultant, helping to design her collections each year.
I also work as a picture researcher for costume in film, a job I started a few years ago and love. It definitely informs my work and I am learning something new all of the time.
Most recently I was the costume researcher on Suffragette and I’m working on other projects that are in production.
What is your preferred material of use?
At the moment it's wood.
You use an incredible array of materials, how do you decide which to use in a project?
I have boxes of bits that I gather along the way from all over and I work in a 'collage' sort of way with lots of pieces on my work table. I’ll move these around and arrange, cut then rearrange until I get something I like.
It gets really messy and I have to have a big clear up then I begin all over again! Continues below...
You work as a colour advisor to Jo Gordon Knitwear; how does this impact on your work?
It definitely does as we do research on different ways and I end up looking at textiles which I didn't really before.
The costume research really influences and helps in both jewellery and design work for Jo. I'm currently researching clothing in 1950 to 60s for a job. The colours and patterns of dresses then were amazing. This will all feed into my brain and re-emerge somehow in my jewellery!
What is your favourite colour?
What can you see from your studio today?
Usually it my neighbour’s wall!
But today from my balcony in Barcelona I can see a narrow street filled with little balconies covered in colourful washing, a man delivering a cooker and a tiny barking dog having a pee.
What single tool would you consider essential to your work?
My jeweller’s saw and my camera (usually on my phone).
What are you working on now and what is coming up next?
The staff of St. Martins are having a show COUNTERCURRENT in Arthur Beales, Yacht Chandlers in Shaftesbury Avenue. My response to the shop was to collect, borrow and steal Nautical themed jewellery and fill a little cabinet with it, we installed in amongst the shops stock... I'm also researching for a costume project. Teaching will begin in October and so will working with Jo.
Editions & Objects at Yorkshire Sculpture Park continues until Sunday 30th October 2016. Find out more about the exhibition or take a look at all the available works online including Katy Hackney's box wood pendant.
Portrait photography by Jenny Lewis.
Modern Studies September 15 2016
Our friend and collaborator Rob St. John (who we've had the pleasure of working with on Random Spectacular projects generated from Rob, Tommy Perman and Simon Kirby's Concrete Antenna sound installation) has just released a new album as part of chamber pop quartet Modern Studies.
Their quietly experimental landscape songs are played on analogue synths, cello, double bass, drums, guitars, a wine-glass orchestra and, at the creaking centre of things, a Victorian pedal harmonium. The band came together in early 2015, when Glasgow songwriter Emily Scott recruited old pals and collaborators Pete Harvey (King Creosote, The Leg), Joe Smillie (boss of Glasgow’s The Glad Cafe) and Rob St. John.
Modern Studies have created a short trailer for the album, shot on a Super 8 camera at Port Eliot festival in Cornwall in July 2016, where the band played for Caught by the River.
Clive Hicks-Jenkins September 11 2016
Artist Clive Hicks-Jenkins is currently exhibiting a series of new works at the Martin Tinney Gallery in Cardiff.
Perhaps best know as a painter, Clive has recently been creating a series of limited edition screen prints, working with Dan Bugg of The Penfold Press.
The duo are currently working on a series of prints based on the theme of Gawain and the Green Knight, which was vividly translated for the 21st century by Simon Armitage.
The exhibition features the prints created to date alongside paintings and drawings.
Looking at 'The Green Knight Arrives' author James Russell explains...
"Clive looks beyond the poetry to explore the character and cultural implications of Gawain’s nemesis, in an intense portrait of mingled power and vulnerability. The upper body of the Green Knight fills the frame, his statuesque head and massive arm suggesting the might of an ancient god – but in a sensitive pose reminiscent of Rodin. That flowing beard hints at the graphic gravitas of a playing card king; look again and it is a river flowing through a tattooed forest. Our 21st century Green Knight is a modern primitive, whose identity is etched into his skin."
We were delighted that Clive contributed a series of illustrations to our second Random Spectacular journal and we're currently working on an expanded version of his interpretation of the Hansel & Gretel fairy tale which we will publish in November. Sign up for our Random Spectacular newsletter for details of this.
We'll also exhibit a selection of Clive's prints, in association with The Penfold Press, at our next St Jude's In The City exhibition at the Bankside Gallery in November.
Gawain and The Green Night: Clive Hicks-Jenkins and The Penfold Press continues until 1st October 2016 at Martin Tinney Gallery, 18 St Andrew's Crescent, Cardiff, CF10 3DD. Find out more
'The Green Knight's Head Lives' by Clive Hicks-Jenkins
Gouache and pencil on board, 55cm x 55cm
'The Green Knight Arrives' by Clive Hicks-Jenkins
Screenprint, 55cm x 55cm
Elizabeth Merriman’s paintings August 05 2016
My friend Elizabeth Merriman is currently exhibiting a series of new paintings at Salthouse Church on the North Norfolk coast in a show entitled 'The Orchard'.
Simon and I were pleased to show Elizabeth's paintings in the first solo exhibition we hosted at our former North Norfolk gallery ten years or so ago.
Elizabeth Merriman completed her BA (Hons) in Fine Art at Canterbury College of Art and followed this with a post-graduate higher diploma at the Slade School of Fine Art where her work was shortlisted for the Barclays Young Painter award. Her work has featured in several London galleries with work now in a number of private and corporate collections including Unilever’s.
Now living and working in East Anglia, Elizabeth’s work has also been shown at galleries in Norfolk, Suffolk and Yorkshire.
Elizabeth develops her ideas through a number of techniques, progressing from pencil to the creation of works in oil.
'The Orchard' is open until Sunday 7th August at Salthouse Church (from 11am until 5.30pm). If you'd like to know more about the paintings, please e-mail Simon via firstname.lastname@example.org
We're hoping to exhibit Elizabeth's paintings in an exhibition in Edinburgh in 2017 - sign up for the St Jude's newsletter to find out more.
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