A Printmaker’s Journey February 26 2017
Posted by Angie Lewin
I'm delighted to share news of a forthcoming exhibition that I have curated for Hampshire Cultural Trust, A Printmaker's Journey, which opens in Winchester on Saturday 11th March and then tours Hampshire until early November 2017.
A Printmaker's Journey includes work selected from a wide range of disciplines and periods which will lead the visitor through the inspirations and affinities which have influenced my journey as a printmaker and designer. Paintings, textiles, prints, posters and ceramics by artists and designers including Eric Ravilious, Edward Bawden, Mark Hearld, Alan Reynolds, Emily Sutton and Paul Morrison will be displayed alongside work from various stages of my career.
I'll be at The Gallery, Winchester Discovery Centre on and off throughout the opening day, Saturday 11th March. I hope that you might be able to visit. Find out more
Angie Lewin 'Sollas Sands' linocut, 2015
Edward Bawden 'The Road to Thaxted' linocut, 1956
Lizzie Farey 'Almost Spring' woven willow, 2017
(photograph by Shannon Tofts)
Eric Ravilious King Edward VIII Coronation Mug, 1937 (originally designed in 1936)
Angie Lewin 'Festival Mug' lithograph
Emily Sutton 'Olive Cook's Settle' watercolour, 2013
Edward Bawden 'Church and Dove' wallpaper, 1925
Barnett Freedman January 19 2017
Posted by Angie Lewin
I'm currently curating an exhibition which will open at Winchester Discovery Centre on Saturday 11th March 2017. A Printmaker's Journey will then tour Hampshire until the end of November.
The exhibition will include work selected from a wide range of disciplines and periods which have in some way influenced my work as a printmaker and designer. Paintings, textiles, prints, posters and ceramics by artists and designers including Eric Ravilious, Edward Bawden, Alan Reynolds and Paul Morrison will be displayed alongside examples of my own work.
Full details of the exhibition will be announced soon - do subscribe to my newsletter if you'd like to find out more.
I'll be including two works by artist and illustrator Barnett Freedman, a contemporary of Bawden and Ravilious.
Over at Spitalfields Life, author David Buckman takes a look at the work of this prolific artist and illustrator...
"Barnett Freedman is among my top candidates for a blue plaque, as one of the most distinguished British artists to emerge from the East End. There was a 2006 campaign to get him one in at 25 Stanhope St, off the Euston Rd, where he lived early in his career, but English Heritage rejected him, along with four others as of “insufficient stature or historical significance” – an unjust decision exposed by the Camden New Journal. The artist and Camden resident David Gentleman was one among many who supported the plaque, writing “He was a very good and original artist whose work deserves to be remembered. He influenced me in the sense of his meticulous workmanship. He was a real master of it.” Read David Buckman's article in full
A portrait of Barnett Freedman
Advertisement for Shell, 1951.
Barnett Freedman’s ‘Claudia’ typeface.
Lithographs for ‘Oliver Twist,’ published by the Heritage Press in New York, 1939.
Barnett Freedman works courtesy Special Collections, Manchester Metropolitan University
Camera Ready 1983 October 25 2016
Matthew Rich, Master Printer at Jealous has just created Camera Ready 1983, a new nine colour screen print which painstakingly recreates a piece of rediscovered artwork from Matthew's time printing fly posters in Manchester for Factory Records and their Haçienda club. Matthew explains...
"I started screen printing in the early nineteen eighties at a Manchester print shop called Community Expression. I printed posters, stickers and t-shirts for local bands and clubs, political groups and the students' union. Our first premises was in a university building on Oxford Road and then I can remember 3 or 4 more places before we moved to a bigger shop called Lola Publicity on Claremont Road in Moss Side.
I joined forces with the Manchester fly posting crew so as well as being poster printers for the Manchester music scene, we would pick up record company posters sent from London to the Piccadilly station Red Star depot. We would (not entirely legally) paste them all over town, sometimes travelling as far afield as Sheffield and Leeds. Continues below...
We had a good relationship with local promoter Alan Wise, making posters for his acts the Fall, The Blue Orchids and Nico for the brief time she lived and worked in Manchester. But most of our work came from Factory Records, firstly making fly posters for the original Factory club (AKA the Russell or PSV Club) in Hulme and then, from 1982 onwards, gig posters for the brand new Fac 51, The Haçienda.
Arriving at the club with a roll of freshly screen printed posters guaranteed free entry, strolling smugly past the queues and some cash in hand to spend at the bar. There were many memorable nights like Einsturzende Neubauten attacking the pillars holding up the roof with a jack hammer, Madonna's first ever show in the UK and William Burroughs on stage reading from his new book, 'The Place of Dead Roads'. Continues below...
Back in the printshop we set out the poster artwork with Letraset, Rubylith and Rotring pens. Shot negatives onto Lith film using a huge horizontal process camera - all brass hinges and ground glass screens - and hand printed onto MG poster paper with very smelly old solvent based inks. No health and safety back in the eighties!
Many many years later I found this bit of poster artwork in a box in the attic. So many people of a certain age remember that era of the Manchester music scene with such fondness and a few suggested I do something with my bits and pieces of memorabilia. Continues below...
I scanned the ancient artwork and dissected it layer by layer. The ageing off-white card of the artwork sheet. The palest blue lines (invisible to the camera) of the layout grid, some scribbled notes in pencil, a bit of Tippex covering a mistake and the matt black of the Letraset itself. We definitely ran out of letter Ys but that's fine, make a negative and print off as many new ones as you need.
There's a story here of my journey in screen printing from knocking out one colour posters on the cheapest stock to this nine colour, limited edition print in expensive Swiss water based inks on 100% cotton mould-made Somerset paper."
Rena Gardiner at MMU October 15 2016
Manchester Metropolitan University's Special Collections are currently hosting an exhibition dedicated to the work of Rena Gardiner.
Rena Gardiner (1929-1999) spent her life entirely devoted to her art, creating books, prints and paintings. She is best known for a series of guidebooks to historic places, buildings and the countryside, each of which she wrote, printed and illustrated herself. This exhibition will include some of these guidebooks alongside paintings, pastels, linocuts and sketch-books and a display of work by some of the artists who influenced Rena including Eric Ravilious, John Piper and Edward Bawden.
The exhibition is based upon the book Rena Gardiner: Artist and Printmaker by Julian Francis and Martin Andrew, published by Little Toller Books in association with the Dovecote Press, 2015.
Rena Gardiner: Artist and Printmaker at MMU Special Collections runs until 18th November 2016. Visit their website for full details
Michael Kirkman October 14 2016
'Time Was Away', an exhibition by painter and printmaker Michael Kirkman, opened in Inverness last week and continues until 29th October 2016. The exhibition features a body of new paintings, drawings and limited edition prints. Michael explains...
"The work is an ongoing exploration into how the figure in art can suggest and communicate thoughts we all have. They can appear dreamlike at times, but I strive for the old meaning of surreal rather that the confusing and often over stylised interpretation that became fashionable in the post war years. I always work from memory, so often the images come from a real moment. I try to illustrate and make that feeling or sense of time and place available to look at in my pictures. I am very interested in the new Glasgow boys and in particular, the work of Steven Campbell, and also the general tradition of figurative work in Scotland with greats including Robin Philipson, the two Roberts, John Bellany and Joan Eardley.”
Having studied at Edinburgh College of Art, Michael Kirkman graduated from an MA course at the Royal College of Art, London in 2010. His inspiration comes from a need to communicate moments in time that seem strange or extraordinary, to capture what goes unnoticed. Some important influences include Eduardo Paolozzi, Mimmo Paladino, Balthus, Edward Burra and Jonathan Gibbs.
'Time Was Away' continues at The Castle Gallery, 43 Castle Street, Inverness IV2 3DU until 29th October 2016. View the online catalogue
We have a selection of Michael Kirkman's limited edition prints available over at our online gallery and Michael will join us in London from 23rd November until 4th December 2016 for our latest St Jude's In The City exhibition at The Bankside Gallery.
Michael Kirkman 'Icarus's Wing' oil on board (48cm x 60cm)
Michael Kirkman 'Rest from the Sea' pencil drawing (57cm x 69cm)
Michael Kirkman 'On The Wrong Way' oil on board (48cm x 49.5cm)
Michael Kirkman 'Weekday' linocut (41cm x 50cm)
Michael Kirkman 'Propeller Boy' pencil and oil pastel (40cm x 30cm)
Michael Kirkman 'Pablo's Cat' oil on board (48cm x 64cm)
Mark Hearld in Edinburgh September 23 2016
Opening in Edinburgh on the 5th of October is Collage, Pigeons and Platters, Mark Hearld’s first solo exhibition of new work following his critically acclaimed curated exhibition The Lumber Room: Unimagined Treasures which opened the recently refurbished York Art Gallery in 2015.
The exhibition continues to explore his love of the British countryside, a recent trip to Shetland and Orkney and his continuing curiosity for objects with a magpie approach to collecting in this new collection of collages, limited edition prints and hand-painted ceramics.
Talking of his collages, Mark explains…
“Collage as an approach is at the core of my work. It enables me to pull together a whole range of surfaces and textures to dynamic effect. It is inherently abstract; each bird silhouette is also a cut out piece of paper and the paper profile is very important to the overall effect.”
Visitors to the exhibition will also have the chance to see a selection of Mark’s fabrics and wallpapers for St Jude’s.
Collage, Pigeons and Platters runs from 5th-29th October 2016 at The Scottish Gallery, 16 Dundas Street. Edinburgh EH3 6HZ.
We're currently working on a Random Spectacular journal dedicated to Mark's The Lumber Room: Unimagined Treasures exhibition in York. To find out more nearer to publication, subscribe to our St Jude's Prints newsletter.
The Shetland Times, 2016, mixed media with collage on paper, 56 x 75 cms
Grey Partridge, mixed media with collage on paper, 40 x 40 cms
Mark Hearld working in the studio
The Shetland Ewe, 2016, mixed media with collage on paper, 56 x 75 cms
Heron, 2016, mixed media with collage on paper, 56 x 75 cms
Flight Platter, hand-painted ceramic, D:38 cms
Albion – A Celebration of Britain in Print September 05 2016
We’re delighted to be returning to The Town House on Fournier Street in the heart of Spitalfields for an event co-curated with The Town House proprietor Fiona Atkins.
The building dates from 1720 where silk weavers originally worked and plied their trade.
In addition to a showcase of our artist-designed fabrics and wallpapers we’ll be presenting an exhibition entitled ‘Albion - A Celebration of Britain In Print’ featuring limited edition prints by St Jude’s co-founder Angie Lewin and printmaker Christopher Brown.
Christopher Brown was born in London in 1953. He attended the Royal College of Art where he was introduced to, and eventually assisted, Edward Bawden, the master of the linocut. It was Bawden who encouraged him to explore this medium.
Since then, Christopher has exhibited at the Michael Parkin Gallery, The Royal Academy, The Fry Gallery, The Fine Art Society and the Victoria & Albert Museum.
‘Monkeys and Birds’ was designed in 1958 by printmaker Sheila Robinson (1925-1988) and was printed by hand to decorate the walls of Cage Cottage, the family home in Great Bardfield. The design originates from Sheila’s hand cut linocut blocks.
A chapter profiling Sheila's work features in 'Bawden, Ravilious and the Artists of Great Bardfield' published by the V&A.
As well as the original colour way, we've worked closely with Sheila’s daughter, the printmaker and painter Chloë Cheese, to create two additional colour ways.
Visit us at The Town House, 5 Fournier Street, London E1 6QE from Tuesday 20th until Sunday 25th September. Open Tuesday 11am-8pm, Wednesday-Friday 11am-6pm, Saturday and Sunday 11am-5pm.
Christopher Brown's 'Albion' linocut
Christopher Brown cutting his 'Albion' linocut
Angie Lewin's 'Sea Pinks' wood engraving
Mark Hearld's 'Squirrel and Sunflower' fabric
Sheila Robinson's 'Monkeys and Birds' wallpaper
Flora Depicta July 09 2016
I'm currently exhibiting as part of Flora Depicta, a celebration of botanical art at The Scottish Gallery in Edinburgh, which features work from twenty artists working across a variety of mediums.
And I'm honoured that a room in the gallery has been dedicated to my work, featuring a selection of botanically inspired prints plus two new watercolours, Wooden Dish with Uist Pebbles and Ramsons with Thistle Pot. These are the first paintings I've exhibited since election to the Royal Watercolour Society.
The exhibition will run from 6th July until 30th July at The Scottish Gallery, 16 Dundas Street, Edinburgh EH3 6HZ. The catalogue can be viewed online.
'Wooden Dish with Uist Pebbles' watercolour
'Wooden Dish with Uist Pebbles' watercolour (detail)
'Ramsons with Thistle Pot' watercolour
'Ramsons with Thistle Pot' watercolour (detail)
A view of part of the room of my work at The Scottish Gallery with a sculptural work by Andrea Geile.
'Island Summer' screen print
'Sollas Sands' linocut
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